When the film opens, Sergeant and Sam, two patients, are
looking out through a window, waiting for an unidentified enemy. But a nurse
inside tells them things are okay. In another room, a woman named Harriet is
protective of her baby, a plastic doll, freaking out when Danny tries to grab
it from her. Outside, Dr. Stephens encourages another patient, Judge, to chop
wood with an axe. But while he speaks to Dr. Geraldine Masters, Judge uses the
axe to suddenly kill Dr. Stephens. Dr. Masters promises to take care of
everyone, which is fine, as Harriet ends up killing the only other staff
member, a nurse named Jane, who was packing to leave anyway. And this is all
before the opening credits sequence.
Charlotte Beale (Rosie Holotik), a beautiful young woman,
arrives to begin her job as nurse at the sanitarium. She was hired by Dr.
Stephens, but Dr. Masters seems to know nothing about this and at first is
reluctant to allow her to stay, which seems odd, as the staff has recently gone
from three to one and you’d think she’d welcome the help. Another thing that’s interesting
is that she doesn’t keep Dr. Stephens’ death a secret from her, something I
feel a lesser movie would have done. And from Dr. Masters we learn a bit about
Dr. Stephens’ methods, his idea that pushing a patient further into his or her
obsessions would cause the patient to eventually use his or her own strength to
destroy them. Yeah, it’s not difficult to see how that might backfire.
Charlotte, whom Dr. Masters agrees to take on, also learns that the entire
household functions as a sort of family, and the patients’ rooms are right next
to the staff’s rooms, and there are no locks on the doors. Charlotte asks Dr.
Masters if she’s ever afraid. Dr. Masters replies, “I’m always afraid.” It isn’t long before one of the patients
startles Charlotte, warning her to leave.
It’s an interesting set-up, and I do like many of the
characters. There is a wonderful moment later with Charlotte and that elderly
patient who had startled her. The two go for a walk in the garden, and that
night the woman says to Charlotte: “You
liked our walk in the garden, didn’t you? Well, don’t be surprised if we never
go again.” It’s creepy and slightly humorous and also rather sad. Though
the tone is fairly dark and unsettling, there are a few moments to lighten the
mood momentarily. There is a delightful scene when the telephone repairman
arrives and encounters two patients without realizing at first that they are
patients. He’s a likeable character, an outsider who is able to provide a
little perspective, and one of the other patients takes a shine to him. When
she gets aggressive, he tells her, “Look,
sweetheart, you’re a good-looking girl and all that, but this ain’t my bag,”
a line that made me smile. He then adds, “Not
in a closet, it ain’t.” Of course, outsiders are not really accepted by all
in this dysfunctional family, and the telephone repairman disappears from screen for a while. The film seems to ask, To whom do you turn for help when everyone is insane? And there are moments when you might even question Charlotte’s sanity.
Don’t Look In The
Basement (also known as The Forgotten) was directed by S.F. Brownrigg, and was released on DVD on
December 16, 2014 through Film Chest Media Group. Though it’s a digitally
restored version, the picture quality still is not perfect (but then again, sometimes
that helps with these 1970s horror films, adding to the uneasy atmosphere). The
DVD contains no special features.
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