The film opens with Zvia walking through the cemetery and
helping a couple find a certain section (in a rather humorous moment). She then
goes home to her children, and we see that her home is actually a part of the
cemetery. Her life there seems a quiet, simple and peaceful existence, and we
see her daily routine. Static shots allow the characters to command our focus,
and also help emphasize the quiet, unchanging atmosphere.
But we also quickly get a sense that Zvia needs something
more, yearns for more contact. We see that when she tries unsuccessfully to
joke with women who are there for a funeral, and then when she tries to relate
the story to her husband that night. We see it also in a shot of her staring
out through the window alone the next day. When her husband wants to take an
opportunity to work a couple of nights a week, the exact opposite of what it
seems she needs, Zvia goes up the hill of the cemetery to calm herself with a
cigarette and spies a couple having sex among the stones. Then, lonely and
intrigued and unsatisfied herself, she begins going deliberately to watch
people coupling among the graves. Even a frightening encounter with some men
does not dissuade her.
The film does a good job of contrasting the daytime
existence of the woman and the place with the nighttime existence. In the day,
her companion is Abed, a man who works at the cemetery. In one of their
conversations, he tells her that he married young and has seven children, but
admits there is no love between him and his wife. “It just didn’t happen,”
he says somewhat matter-of-factly. And we wonder just how Zvia feels about her
husband, and perhaps she wonders how her husband feels about her. Interestingly,
in bed that night, she tells her husband, “He said he has seven kids and
that he loves his wife very much even though it was an arranged marriage.”
It’s like she is beginning to create her own reality.
Yet there is also a strange innocence about her, as in
one moment when she stoops to poke at a used condom with her finger, as a child
might do. Interestingly, as she begins to reach out to the prostitutes, she
also begins reaching out to her husband more. And there are some tender moments
between them. But there is also a tension. Both Shani Klein and Avshalom Polak
deliver excellent performances. This is a film that I think will stay with me
for a long time.
Mountain was directed by Yaelle Kayam, and was
released on DVD on January 31, 2017 through First Run Features. The film is
presented in Hebrew, with English subtitles. The DVD contains no special
features.
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