The film goes to a close-up of Sonia as a man off screen
asks her questions about Memo. He tells her his condition will get worse, but
Sonia is optimistic, saying he’ll improve when they get approval for the new
medication. She calls the doctor and leaves a message for him. When he doesn’t
return the call, she goes to his office and waits to speak with him. After
waiting for a long time, she learns from a secretary that her doctor has left.
Then, interestingly, we hear that secretary in voice over testifying about
Sonia, while on screen we see that Sonia’s doctor has returned. So early on
we’re given a clear indication that things are going to get out of hand.
Nearly all of the shots in this film are static, which
has an unsettling effect, while also drawing you in because you end up paying
more attention. The camera isn’t going to let you know which specific details
are important, but rather presents the world for you, almost like letting you
spy into Sonia’s life. There is a great shot from the backseat of Dr.
Villalba’s colleague’s car, as he backs out of his spot in the parking garage.
Through the windshield we see Sonia approach Dr. Villalba, but over the music
playing on the car stereo we can’t hear anything she’s saying. And the camera
doesn’t get closer to her; it doesn’t move in for coverage. It’s not until the
colleague turns off his stereo and rolls down his window that we’re able to
hear any of the dialogue; at that point, Sonia is asking the doctor to please
read her husband’s file, to look over the results of some tests.
Another interesting and somewhat similarly effective shot
is when Sonia and her son have followed Dr. Villalba home (by the way, the shot
in the taxi is one of the only shots with some camera movement), and Sonia
rings the doorbell. The doctor’s wife picks up a phone to answer the door, and
on the video monitor we see Sonia and her son talking, but we don’t hear any of
what they say because Villalba’s wife has the receiver to her ear. But whatever
Sonia says must be convincing, for she buzzes her in.
At this point, Sonia believes that the doctor will do the
right thing, that he just needs the information. But when the doctor threatens
to call the police, Sonia pulls out a gun. You can understand and feel her
desperation, and while her action might seem rash, she still comes across as a
completely sane and good person who has been put into a situation by the health
care system. This is due in large part to Jana Raluy’s excellent performance as
Sonia. As things start to go more wrong for Sonia, we hear more from the trial,
which works as both a way to provide information and also to maintain a strangely
balanced view of the action. For what she is doing is criminal, no matter how
right she might be in wanting to do it.
Special Features
The DVD includes several deleted scenes, all of which
would have come toward the end of the film (so I’m not going to mention any of
the specifics). The trailer is also included.
A Monster With A Thousand Heads was directed by
Rodrigo Plá, and is presented in its original Spanish, with optional English
subtitles. The DVD is scheduled to be released on August 9, 2016 through Music
Box Films.
No comments:
Post a Comment