During the opening credits we follow the carriage of the
Marquis St. Evremonde, which then runs over a young boy, killing him. The
Marquis says to the crowd gathering, including the boy’s father: “Really, it
is extraordinary to me that you people cannot take care of yourselves or your
children. Always in the way.” And he expresses concern that his horses may
have been injured in the mishap. This of course doesn’t sit well with the
people, and a title card reads, “Paris… Just before the French Revolution”
(for those who haven’t read the book). In voice over we get the famous opening
lines from Charles Dickens’ novel: “It was the best of times, it was the
worst of times…” And we see contrasting images of the very rich and the
very poor.
The film then takes us to England, where Lucie learns
that her father is still alive in Paris. She travels there to retrieve him, and
he’s been locked up so long that he doesn’t recognize her at first, but for the
hairs of hers that he kept with him all these years. It’s a touching moment,
and both Peter Cushing and Alice Krige are quite good. They meet Charles on the
boat to England after Charles renounces his titles and properties. But of
course he is first charged as a spy in England, and then later as a traitor in
France. In England, it is partly his strikingly similar appearance to the
lawyer Sydney Carton that frees him. Chris Sarandon does a remarkable job
creating two very distinct characters, and the moments where he is on screen as
both characters look really good. I was thinking, considering the time when
this was made, that those shots would look clunky, but they don’t.
It has been decades since I read the book, and I had
forgotten about any humor in it. For example, the banter between Carton and
Stryver, who also aims to marry Lucie, is quite funny. And Chris Sarandon and
Nigel Hawthorne do a good job of not punching up the humor too much. This is
such a great story, and this version is completely enjoyable. Sure, they
probably should have hired a few more extras for the storming of the Bastille,
but that’s a minor complaint. This movie does a great job of showing that
people on both sides of the French Revolution were rather horrid, how power can
turn people into monsters, and how mob mentality is a frightening thing. But at
the heart of it is a love story, of two men who love the same woman.
This television movie is presented in the widescreen
format, which of course presents some questions. Obviously, in 1980 it was
shown in the full screen format, and as it was a television film, I can only
presume that it was shot for that aspect ratio. Apparently, when it was
released on DVD a while ago it was also in the full screen format. And yet, it
looks perfect in the widescreen format; it doesn’t seem to have been cropped on
the top or bottom. So I am curious about how it was shot.
A Tale Of Two Cities was written for television by
John Gay and was directed by Jim Goddard. It was released on Blu-ray on April
12, 2016 through Shout! Factory. This disc does not contain any special
features.
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