After the brief first jail scene, the movie goes back in
time to tell the story of Salvatore Giuliano and his rise in popularity and
then his fall. He and Aspanu are carting a coffin through the countryside when
stopped by the police, who discover that the coffin contains stolen grain that
Giuliano intends to distribute among the peasants. The ensuing altercation
results in a policeman being shot and killed, and Giuliano being shot as well.
After stealing two horses from the estate of Prince Borsa (Terence Stamp), they
flee to the protection of some priests. This is only the first time that
Giuliano seems to cheat death, and his luck is part of what draws people to
him. While healing in the care of the priests, he gains a new sense of invulnerability.
At the same time, we see the power of Don Masino Groce
(Joss Ackland). There is a scene where Don Masino goes to the University of
Palermo to ask that his nephew be given a degree to become a surgeon. One
person at the university tells him no outright, and then after Don Masino has
left, Professor Adonis turns to that man and tells him he’ll have to leave
Sicily, that no one says no to Don Masino. One of the interesting aspects of
this film is the paternal feelings that Don Masino has toward Giuliano, even
before meeting him. Giuliano is the sort of son Don Masino wishes he had. At
the same time, you know a confrontation is brewing that cannot end well for
both men.
The film is burdened with some clunky dialogue, like “Don’t
worry, opposites attract, they say”; “Well, if you want to be an angel,
you’ve got to change your shoes” and “What are you going to do?”/”Save
the world, what else?” (all of those examples being from the same scene).
But there is some good dialogue as well. Like when Giovanna asks Giuliano why
he doesn’t run for president of Sicily, Giuliano responds: “I’ve killed too
many people. Or maybe not enough.” And later when they are driving through
the streets of Palermo, and Giovanna worries that he’ll be recognized, Giuliano
says, “I don’t look like me all dressed up, do I?” She responds, “Well,
you don’t look like someone who wants to help the poor.” Giuliano then
says: “I bought you that dress because you are poor. I bought this suit
because I am poor.” And when Aspanu warns Giuliano that a man will betray
him, Giuliano responds: “Betray me? Only a friend can do that.”
Certainly, the film isn’t as good as The Godfather
(though it is much better than The Godfather Part III), and Christopher
Lambert is no Al Pacino. But it’s an enjoyable film, with plenty of good
moments. And it’s beautifully shot. Alex Thomson was the director of
photography. Thomson also was the cinematographer on such films as Excalibur,
Labyrinth and Kenneth Branagh’s Hamlet. And Terence Stamp is
excellent, as always. He always brings something unexpected to the roles he
plays. For example, check out his reaction when Giuliano and his men show up at
his estate to rob his guests of their valuables.
The Sicilian was released on Blu-ray on March 29,
2016 through Shout! Factory. The disc does not contain any special features.
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