The film opens with this line across the screen: “He
who is thirsty dreams he is drinking.” Though not attributed on screen,
this is a reference to a biblical passage from the book of Isaiah. The first
image then is a row of red telephone booths, at a slightly odd angle, with a
man approaching. He wears a red hoodie to match the booths, the screen
dominated by that bright color. One phone rings. The man steps inside the booth
to answer, and someone grabs him from behind. It seems impossible, but it turns
out to be a nightmare, so it’s all right. Then during the opening credits
sequence, we see two men showering together. These opening shots really tell
you what you’re in for. If you enjoy lots of dream sequences, odd camera angles
and male nudity, then you’ll love this film. Otherwise, probably not.
Andy and James are celebrating their anniversary in their
new house, and James proposes marriage. So apparently the anniversary they are
celebrating is something other than a wedding anniversary. But Andy reveals
that he lost his job the previous day, that his whole department is being let
go, and so they can’t afford a wedding. Andy continues to have nightmares, and
in each of them he is wearing his red hoodie. Meanwhile there are shots of a
man in a grey hoodie jogging and then walking at night, while some eerie music
plays.
James has a job, though we never see what it is he does.
Mostly what we see him do (when he’s not having sex with Andy) is jog in the
woods. Some of the dialogue about James’ work seems a bit awkward, not giving
the impression that these two have been together for any real length of time.
It just doesn’t feel familiar enough. But it quickly leads to them fooling
around anyway. A lot of stuff leads to them fooling around. Anyway, James wants
to talk about their budget, and he suggests taking in a lodger until Andy gets
a new job. Enter Sebastian. When introduced, Sebastian is asked by James if he
wants a drink, and Andy tells him, “He said he wasn’t thirsty.” So right
away we associate thirst with this new, strange character. Sebastian says he
works the night shift, and is evasive about what exactly it is he does, and
though he’s creepy, the guys almost immediately invite him to live with them.
There are more nightmares, in which Andy wears his red
hoodie, and both James and Sebastian wear grey hoodies. And in the morning Andy
discovers Sebastian’s dirty laundry, which Sebastian had conveniently and very
oddly left on the kitchen counter, a bloody hoodie on top. Who puts his dirty
laundry on the kitchen counter? Weird vampire-like lodgers, that’s who. Well,
Andy gets nervous and clutches a conveniently placed butcher knife, cutting
himself in the process. Sebastian kisses the cut, and apparently that eases
Andy’s mind for he doesn’t mention the bloody sweatshirt.
Andy, now in a red T-shirt, follows another guy who is
also in a red shirt. And there is more red in every frame – in the storefronts,
the brick homes and so on. But Andy is not wearing a hoodie, so is this not a
dream? He follows the guy all the way home, which seems like something you
might do in a dream. And the guy is either amazingly unaware, or aware but
interested. Meanwhile James comes home to find Sebastian waiting for him with
one glass of wine, which he offers to James. “There’s plenty more where that
came from,” he says. So not a limited edition wine, then.
Anyway, if Andy has his red hoodie on, it’s a dream. If
he has his red T-shirt on, it’s a dream-like state, but seems to actually be
happening. And if he’s in his blue bathrobe, it means he’s in his normal,
unemployed state. But what does it mean when he leaves home wearing shorts but
returns wearing pants? By the way, why doesn’t Andy just apply for a new job?
At one point, a friend calls to offer him a job interview for a receptionist
position at a hotel, and it seems he puts all his hope into that one job
prospect. But why didn’t he ask his previous employer for recommendations and
contacts in his field, whatever that might be? Why is a lodger the rational
choice for these two? Back to Andy’s wardrobe: Later in the film he dreams of
himself in his blue bathrobe, breaking the pattern. And at one point he wakes
from a dream and puts on his red hoodie. So the switch signifies that his
dreams have become reality, and his reality has shifted to dream.
And at one point there is a bunny mask. Why? Why not?
This film is more about atmosphere and mood than substance, and includes plenty
of male nudity, including a scene of a nude man caressing a tree for some
reason. It’s more about odd camera angles than interesting dialogue or
character development. But the atmosphere is quite effective at times. You can
get sucked into the mood of the thing and forget that nothing has really
happened.
By the way, with eight minutes left in the film, James
asks about Andy’s job interview, and immediately we learn that Andy didn’t go
to the interview. But who cares at this point?
Special Features
The DVD includes an audio commentary track by
writer/director Daniel Mansfield and actor Darren Munn. Early on, Daniel says,
“There was this famous first draft which no one has seen.” How can it be
famous if no one has seen it? No idea. He mentions that his favorite vampire
movie is The Hunger, which is also my favorite. He talks about other
influences on this film. Daniel also says, “If it doesn’t make sense, that’s
all right because in life things don’t make sense.” Well, okay then.
The Making Of Drink Me is an eight-minute
featurette with bits of interviews with Darren Munn, Emmett Friel and Chris
Ellis Stanton, as well as footage from the film. Yes, even this
behind-the-scenes featurette has plenty of male nudity, but very little on the
actual making of the movie. Chris Ellis Stanton says, “By the end of it, you
piece it all together and suddenly everything makes sense.” Really? No.
The special features also include an interview with
writer/director Daniel Mansfield, who says the movie was filmed in one week.
This interview is approximately seven and a half minutes. The film’s trailer is
also included.
Drink Me was released on DVD on April 14, 2015
through TLA Releasing.
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