This is a film that quickly and quietly gets its hooks
into you. Early on there is a shot of a man in a hospital bed, with two people
at his side. After a moment, one of them removes the man’s breathing mask. And
from there, we see several other patients. These shots are all handled in a
quiet, realistic manner, without introductions or exposition, and without
intrusions from the score, giving the film an intense and immediate feel. Also,
these scenes give us the impression that the focus is as much on the patients
as it is on the nursing staff, which is interesting because the two main
characters are nurses. But it is that their own focus is on the patients, and
so these early brief scenes help align us with those main characters. It is
such a great way of making us share their perspectives.
Floyd (Danny Glover) gives the team their assignments for
the shift, and Kayle is told he’s to train a new nurse, Amanda. He is
reluctant, saying that he should be at the patients’ bedsides where he can do
the most good, but of course accepts his assignment. It is a tough night for
Kayle, as demons from his past haunt him, and the drugs he uses to get through
seem to be giving him anxiety.
There are so many excellent scenes. In one scene early in
the night, the nurses work brilliantly and quickly to save a patient, only to
learn that the patient’s chart indicates “Do not resuscitate.” So Kayle
makes a decision on his own.
Meanwhile a young cancer patient named Emily (Genesis
Ochoa) connects with Kayle. This relationship illustrates the dynamic between
the needed human touch to medicine and the obligations of the nursing
profession. Amanda, eager to learn, asks Emily’s mother several questions about
Emily. Kayle pulls her aside and tells her: “Put the notebook away. Listen
to me. You need to start treating that girl like a human being and not a
homework assignment. Okay? Everything you asked her mom can be found in the
chart. All you’re doing is unsettling her with every single question you have.”
Emily soon makes an unusual request of Kayle.
Both Leo Oliva and Casey Fitzgerald give very strong
performances, and are completely believable. Amanda is intelligent, but doesn’t
have the experience to know when to be quiet. Casey Fitzgerald’s performance is
so moving. You really feel for her, and because most of us have little or no
medical experience, we experience much of this film through her eyes. There is
a fantastic moment where she rushes into the med room to retrieve some urgently
needed items, and in her frantic mood bangs the door against another nurse,
making a third nurse laugh. It’s so brutally honest, and even warm as the third
nurse tells her “Just relax” and then helps her get the items. The
handheld camera also helps convey her mood and her insecurity. And I love the
moments of comradery among the staff.
The Shift is absolutely riveting. I was seriously
impressed by this film, and completely drawn in. Not a single moment feels
untrue. And though this film is about the right to die, the issue is not
addressed in a heavy-handed manner.
The Shift was directed by Lee Cipolla, and was
released on DVD on February 24, 2015 through Random Media. The DVD contains no
special features.
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