This season sees the return of several supporting players
as well, including Kevin Dillon as Neil Baker, a cop who might be involved in a
fatal beating in the season’s opener. He was in a couple of episodes in the
sixth season. That episode also features Erich Anderson as Don Kirkendall,
Jill’s ex-husband, a character who plays a prominent part in one of the
season’s main plots. I became a fan of Erich Anderson’s work years ago when he
played Billy Sidel on thirtysomething, and he gives a really good
performance here as well. I also really appreciate Jill’s complicated feelings
regarding Don (as in episodes like “These Shoots Are Made For Joaquin”).
Also giving a good performance in a supporting role is
Sheeri Rappaport as Mary Franco, an officer that Danny Sorenson (Rick Schroder)
becomes involved with. Rick Schroder does some excellent work in this series,
and a lot of his character’s elements are explored and revealed through his
relationship with Mary. His character is also explored through his relationship
with J.B. (Jeff Cahill), an informant who begins using drugs again.
There are some really touching moments between Andy
(Dennis Franz) and his son Theo, whom Andy must raise mostly on his own after
the sixth season’s death of his wife. Debra Monk returns as Katie, Andy’s
ex-wife, who also plays a significant role in this season, helping Andy with
Theo and with some of his own demons. Andy and Danny also become closer this
season, like in “Who Murders Sleep,” one of the best episodes (the title of
which is a reference to Macbeth).
But perhaps the most interesting relationship this season
is that between Diane (Kim Delaney) and Jill (Andrea Thompson), as Diane
worries that Jill might be involved in the criminal activities of her ex. Kim
Delaney is particularly excellent in “Bats Off To Larry,” in the scene where
she tells Jill what she knows and learns a bit about what Jill may know. It’s a
very tense scene, and both actors do a tremendous job with it. They are also
both excellent in the season’s final episode (as is Gordon Clapp as Greg
Medavoy, a character you come to really feel for this season).
There are several good guest appearances as well this
season. Frank Vincent plays Dino “The Rat” in a couple of episodes. M. Emmet
Walsh appears as Joe Kroft, the medical examiner, in “Roll Out The Barrel.” And
it’s always great to see Richard Libertini, who plays Luciano in “Lucky
Luciano.” Amy Aquino also appears in that episode.
Sam Lloyd is great in a small role in “The Man With Two
Right Shoes.” But the best line of that episode belongs to Tommy (Rodney
Eastman), a suspect: “So if you found me in an automobile assembly plant,
you’d accuse me of being a car?” Speaking of good lines, in “These Shoots
Are Made For Joaquin,” Arthur Fancy says, “Keep me posted,” and Andy
replies: “Are there any cases that you don’t want us to keep you posted on?
I mean, what’s the point of saying that?” And I love in “This Old Spouse,”
when Andy gets impatient with a computer and threatens to punch it in the face.
One other minor thing I can’t help but mention: The
series uses exterior shots between scenes, and two episodes this season use the
same odd shot of a car parked on the sidewalk.
NYPD Blue: Season 7 is scheduled to be released on
DVD on September 30, 2014 through Shout! Factory. There are six discs in the
set, containing all twenty-two episodes. There are no special features.
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