The film then cuts to a commercial shoot where Precious
talks about some skin product. And in voice over she says how it’s difficult to
be a model in New York. She’s done teen catalogue work, but wants to take her
career to the next level, and, as she says, “The only way for me to do that
is to get my breasts enlarged.”
The film follows her journey, including her initial
consultation, and we meet her doctors, including Dr. Haramis, the plastic surgeon
who will handle her operation. In an interview, he comes across as reasonable.
We also meet Guy, Precious’ boyfriend, who says he likes her breasts the way
they are, but who doesn’t try to talk her out of the procedure. He admits he’d
brag if his girlfriend ends up in Playboy, coming off as rather juvenile
but kind.
Precious speaks candidly about her goals regarding the
breast enlargement, mainly her wish to get into Playboy. It’s difficult
to really feel for this woman on any sort of emotional level, or to sympathize
with her. She says, in an interview: “I’m obviously a religious person. I
believe in God. And I feel like I’m going against that right now.” But any
religious aspect of her character doesn’t really come into play. On the day of
the surgery she repeats that she is nervous. This is played up a bit much; for
again, this isn’t necessary surgery. It’s vanity. So it’s difficult to care
whether she’s nervous, or religious, or that she’s crying (as we see her do).
On the day of the surgery she admits to not telling her
parents, and it would be great if the film delved more into her relationship
with them. Later, one of the film’s most honest moments is when she finally
does tell her mother about the operation over the internet. And it’s interesting
that her mother was a model, and started Precious’ own career when Precious was
just four years old. Again, this is a really interesting angle, and I wish the
film spent more time in this area. At the very least, it would be good to have
a separate interview with Precious’ mother about just why she started Precious
modeling at such a young age, and how she feels about what Precious has done to
her body.
The film shows us some of the actual procedure, which is
interesting and, yes, a little disgusting. The doctor actually explains the
procedure as it goes. And her boyfriend gives his opinion of the results while
Precious is still under, which strikes me as odd. And then we see Precious as
she deals with the post-surgery pains and disappointments.
The film is really about one woman’s surgery and its
effects on her life in relation to her short-term goals. It doesn’t really
investigate the larger social issues at play here, such as the ways in which
women’s visions of themselves are created and altered by the images in the
media, and also the possible gap between what is necessary for a modeling
career and what feels necessary. A lot of the footage is video shot by her
boyfriend and by Precious herself, so some of it is jumpy and not all that
well-composed.
Boobs was directed by Jon Bulette and Stone
Roberts, and is scheduled to be released on DVD on October 14, 2014 through
Garden Thieves Pictures. The film, by the way, contains this opening credit: “and
introducing Precious Muir,” an odd credit for a documentary.
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