The film opens with footage that Laura shot of the
supplies on her boat, focusing on water and food. We see the interior of her
boat, and then she turns the camera on herself. In voice over, she tells us a
bit about herself, including the fact that she was born on a boat and lived her
first five years at sea. She does an excellent job of including herself in the
footage she shot throughout the trip. And considering it’s a teenager holding
the camera – a teenager whose passion is sailing, not filmmaking – the footage
is shockingly good. It’s not too jumpy, a feat in itself, for it was shot on a
boat.
The film focuses on her journey, but she had to go
through another ordeal before even being able to set off on her trip. She says
in voice over, “When I wanted to arrange
my school the attendance officer sent Child Protection after me…They brought a
court case against me and my parents.” The film includes some news footage
regarding the case. It took nearly a year of battling in court before she won
and started on her journey.
A title card then tells us: “Neither a follow boat nor a support team accompanied her.” And in
case you think she’s way too mature for her age, she very soon shows us the
kitchen in the boat, and it’s a mess, with pasta all over the floor, which
works to endear her to us more.
And don’t worry – the film isn’t just footage of the
oceans. She explains in voice over that she wasn’t attempting any sort of speed
record. She wanted to see the world, to learn about other cultures. So we are
treated to footage of the Canary Islands, St. Maarten, the Galapagos and other
places. Her mother and sister visit her at one stop, and her father visits her
at another point to help her repair the boat (and celebrate her sixteenth birthday).
The journey is also broken up by footage of her
childhood, giving us more of a background and an understanding of why she
wanted to do this. When her parents split up, she chose to live with her dad
because he liked to sail while her mother didn’t.
But it is often the footage shot on the ocean which is
the most compelling. When crossing the Atlantic, she talks to the camera about
mixed feelings. At one point she is accompanied by some dolphins, and while
filming them she expresses hope that they’ll stay with her for a while so
she’ll have some company. And watching, you hope for the same thing. I couldn’t
help but think that not only would it be exhilarating to make this trip, but it
would also be terrifying because if you got sick of it in the middle, there
would be no way to quit.
And yes, there are storms. The first rainstorm actually
excites her. She says, “It’s really cool
to see how the boat fights its way through the waves.” There is a truly
adorable moment when she reaches the equator and offers a pancake to Neptune.
On her first toss, the pancake lands on the deck of her boat.
Maidentrip was
directed by Jillian Schlesinger, who also co-produced it with Emily McAllister.
It was edited by Penelope Falk. The film features some excellent music written
by Ben Sollee.
Maidentrip
opens in New York on January 17, 2014.
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