We’re then introduced to sixteen different women in the
area, women who have found different artistic paths through which to express
themselves. We get a few minutes with each woman, one after the other. Because
only a few minutes are spent with each woman, the film never delves too deeply
into any of their lives. The film is almost more of a sketch of the area, as
seen through women with various artistic pursuits.
On screen, each woman in turn is identified by name and
occupation. And as you might expect from the film’s opening voice over, some of
them have occupations like “healing artist” and “leadership coach.” I’m not
exactly sure what a leadership coach is, but Sarah Naylor tells us that she
helps people create sacred space inside and out. (Yes, some of these women come
across as loonier than others.) Several
of the women are artists, and we see their work while they speak to us.
The first woman is a healing artist and retreat owner.
She tells us: “People come to Sedona.
It’s a mecca that draws people from all over the world because people want to
receive something very, very real.” She talks about people connecting with
the beauty of the land, and with something deeper within themselves. She also
talks about her “retreat sanctuary” and we see images of it. She says you
cannot deny the beauty of the area, and that’s true, at least from the images
we’re shown.
Some of the women have interesting stories. For example,
Florence B. Schauffler is an older woman who talks about going back to college
when she was in her fifties after splitting with her husband. She took theatre
courses, and then moved to Los Angeles, where she worked as an actress on such
films as Bachelor Party and Pumpkinhead, and television shows such
as Newhart and Mr. Belvedere. Interestingly, we also meet her daughter, Jennifer
Schauffler-Virosik, a healing artist.
Nancy Matthews, the founder of Sedona School of Massage,
talks about how when she was at a gathering of women, each woman in the circle
said what she loved, and when it was her turn she realized she loved teaching.
And so she opened a school. She talks about how she would just focus on the
very next thing she needed to do rather than everything at once to keep from
getting overwhelmed.
Ruth Waddell, an artist, is one of the most endearing and
likeable subjects interviewed. She says you forget your troubles when creating
“because it requires so much of you that
other things fall away while you’re working.” True. She also says, “Sometimes we assume that somebody else sees
what we see, and it’s hard to remember that that’s not the case.”
In the last twenty or so minutes of the film, we return
to some of the women for more about finding happiness within. Oddly, especially
considering how short the film is (75 minutes according to the box, 69 minutes
according to my DVD player), toward the end, snippets of some of the interviews
are repeated. Are these the lines the filmmaker really wanted us to remember?
It comes across as rather cheap and off-putting, as a way of extending the
length of the film rather than stressing a point.
The Song Within:
Sedona was directed by Kathy Douglas, and is scheduled to be released on
DVD on February 4, 2014. There are no special features on the DVD.
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