The movie opens in 1951, and
right away it is clear the filmmakers are going for that classic giallo style,
what with the camera movements, those reds that dominate, the close-ups of the
eyes, the music. A magician stands on the stage, and a female assistant walks
onto the stage, holding a cushion with a gun laid on it. Her footsteps are
loud, the only sound we hear, as if the theatre is empty apart from those two
people, which is eerie in itself. A bit of voice over narration tells us, “Magic is the art of making the impossible
possible.” A third person enters, as if from the audience, and the sequence
has a surreal, dreamlike quality. The gun is fired, as a young child watches.
And then we hear other sounds, the screams of the theatre patrons. The movie
then jumps ahead thirty years, so it takes place in the early 1980s rather than
in the present, another way of preserving that classic giallo style.
Magician Lorenzo Mancini
(German Baudino) arrives at the theatre where he is to perform. Yet a sort of
performance has already occurred there. Someone has staged a strange murder,
and the police are there, investigating and taking photos. As Lorenzo leaves,
photos are snapped of him by an unseen person. Through news footage, we learn
that Lorenzo is the son of Dante The Great, the magician who was killed in the
opening scene. Other things put Lorenzo on edge, such as the letter he receives
with the numbers “1951” pasted onto it. But of course the show must go on, and
he and his assistant Antonella (Maria Eugenia Rigon) perform. Things go well at first, but then oddly, after a
particular trick, there is no applause at all. The audience just watches, not
even offering some polite clapping. It is incredibly strange, and of course
afterward Lorenzo is upset with himself.
He doesn’t have long to dwell
on that trouble, however, as soon another murder is committed with a magic
trick prop, leading people to believe Lorenzo himself might be the killer. The
film does a great job of creating atmosphere, through some odd camera angles,
lots of close-ups, and even some interesting use of split screen. The film
gives us an unsettling feeling even before much has happened. However, there
are moments when it seems a bit like style over substance, such as the scene
when Lorenzo finds himself in a poker game with a guy with a white eye and
another guy who insists he knows him. The close-up of the white eye reveals it
is a not-very-convincing contact lens. But this film gives us a good ride, and
things that at first seem to not make sense eventually are made clear.
Special Features
Abrakadabra Raw is a behind-the-scenes look at the making of the
film, showing the filming of several scenes, including the magic show that
doesn’t go quite right and some of the scenes at the climax. This is
approximately eleven and a half minutes.
The film’s trailer is also
included.
Abrakadabra was directed by Luciano Onetti and Nicolas Onetti, and
is presented in its original Italian, with English subtitles. Of course, as the
filmmakers are going for the delicious old giallo style, you can also watched
the film dubbed in English. The Blu-ray was released on May 12, 2020 through Cauldron
Films.
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