At the beginning of the first
film, Malevolence, we
learned that a six-year-old boy named Martin Bristol was abducted in 1989. The
rest of that movie took place ten years later, when that boy – now a teenager – had become a deranged killer. Malevolence 2:
Bereavement, as it opens, takes us back to that abduction, providing more
details. We see the boy on his swing set, looking rather sullen, while inside
the house his mother tells another woman about his condition. “His body just can’t recognize sensations of
pain.” A man in an old dark truck pulls up, and soon Martin is being taken
to that man’s home, where he witnesses a gruesome murder. This scene is quite
frightening, in large part because of the victim’s performance, particularly
her scream, which feels real. The man, Graham Sutter (Brett Rickaby), tells Martin not to be
afraid. But Martin is afraid.
The film then jumps forward
five years (and so takes place five years before the main events of the first
film), introducing us to Allison (Alexandra Daddario), a seventeen-year-old
girl who moves in with her uncle (Michael Biehn) and his family following her
parents’ deaths. She ran track at her previous school in Chicago, but finds
that her new school offers nothing for female athletes other than cheerleading.
So she is largely on her own, finding solace in jogging. Her jogging route
takes her past a seemingly abandoned building where she spies Martin (Spencer
List) in one of the windows. The one friend she makes is William (Nolan Gerard
Funk), a young man with his own troubles, including his relationship with his
handicapped father (John Savage).
Meanwhile Sutter has found a
new victim, a woman named Melissa (Valentina De Angelis), who is abducted
outside the diner where she works. This film is so adept at establishing its
characters that we even care strongly for Melissa, a minor character who in a
lesser film would be simply part of the body count, someone to knock off before
we get to the main character. Valentina De Angelis delivers a fantastic
performance as Melissa, and that is certainly part of what makes this character
stand out. The moments when Melissa is suspended from the ceiling, looking directly
at Martin standing in front of her, are disturbing and intense. And one of the
film’s most horrifying sequences is that of Melissa’s fate. “Furnace needs scrubbing,” Sutter tells
Martin afterward. We also see some of the physical and psychological torture
the boy endures. And knowing it’s already been going on for five years can’t
help but affect us, just as it is clearly affecting him.
In a scene at the high school,
a teacher talks to his class (which includes Allison) about the question of
whether we are products of genetics, “predisposed
to exhibit certain behavioral patterns,” or environment. That, as I mentioned,
is a question this film addresses. Can a young boy be made into a killer by the
environment in which he is raised? The first film (which takes place after this
one) seems to have supplied the answer. But seeing the transformation of this
young boy into a killer is striking, and one of the elements that set this
horror film apart from most of its genre. Malevolence
2: Bereavement is one of the best horror films I’ve seen in the last twenty
years. It features some excellent performances, an intriguing story, a lot of
suspense, and a whole lot of frightening scenes. Also, I should mention that
there is a scene after the end credits, so be sure to watch it until the end.
Special Features
This Blu-ray/DVD set contains
some special features, including a behind-the-scenes featurette. This
featurette has on-set interviews with most of the cast, including John Savage
(who remarks, “It’s a better script than
most horror movies”), Alexandra Daddario, Michael Biehn, Nolan Gerard Funk,
Spencer List, Peyton List, Marissa Guill, Valentina De Angelis, and Brett
Rickeby, who says he wants people to relate to his character, even empathize
with him. It also includes an interview with director Stevan Mena, who talks
about the film’s ending. This featurette is approximately thirty-five minutes.
First Look: On The Set is a shorter behind-the-scenes featurette,
with interviews with Stevan Mena and producer Tom Bambard. This one is
approximately seven minutes. There are also some deleted scenes, mostly stuff
with William, but also a scene with Allison and her uncle. A photo gallery and
the film’s trailer are also included.
The special features include a
commentary track by director Stevan Mena, who talks about the importance of the
opening scenes and the necessity of the dark ending. He gives some interesting information,
including the name of the actor he’d originally intended to play the role of
Sutter.
Malevolence 2: Bereavement was written and directed by Stevan Mena.
The director’s cut is scheduled to be released on Blu-ray/DVD on October 15,
2019.
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