The film begins in April of 1945, as Marguerite waits for her husband
Robert to come home. She watches the soldiers return, but does not find him
among them. She tells herself he could show up at any time without warning. “Many
such things do occur,” she says in voice over. And for a moment, she even
believes he has returned, or imagines how she’ll react when he does. The film then
takes us back to June of 1944, as Marguerite waits in a room where many other
women are seated. We see soldiers escorting a woman out; this woman and the
others remain silent. It is frightening, particularly how mundane, how orderly
it seems. And the film doesn’t tell us precisely what is happening with these
people. It isn’t until a man finally addresses Marguerite that we learn she is
there because her husband has been arrested, and she has
brought a parcel containing some things for him. The man tells her he’ll see
what he can do.
I love that the film immediately immerses us in this uncertain world, its
camera work and style (as much as its subject) making us feel as nervous as
Marguerite must feel. As we try to get our bearings, we become attached to her,
to her perspective. She receives a phone call, telling her that her husband has
been moved, but we hear only her side of the conversation, and so must rely on
her reactions for information. When she meets this man, a Nazi collaborator
named Rabier (played by Benoît Magimel), who obviously has an interest in her,
she begins a strange and dangerous association with him, in order – at least at
first – to get information regarding her husband. Marguerite is part of the
Resistance, and the others decide it would be beneficial for her to continue to
meet Rabier. “Lie as little as possible,” she is advised. It is
interesting that Marguerite does not allow herself to display too much emotion,
even as she reasons that with the Allies advancing, the Germans will likely
begin executing their prisoners.
The film keeps us close to Marguerite, in part through the use of voice
over. These are thoughts that she also writes down, addressing them to Robert. “I’m
afraid I’ll be killed. I’m ashamed to be alive. I feel if I don’t die, I’ll see
you again.” It is eerie how in many ways life seems to go on as before,
with children playing in one scene, the camera keeping them in the foreground, so
that we view Marguerite through them. The film is suspenseful. And yet, in some
ways Marguerite seems removed from her own life, watching herself get ready to
meet Rabier, and writing her thoughts down, her life becoming a story, herself
becoming a character. The film contains a lot of interesting shots. For
example, when we learn of the liberation of Paris, we see Marguerite alone, on
her bicycle, so that even the biggest events are brought down to a personal
level, to her individual experience, separate from that of others. What is also interesting is that the
liberation of Paris from the Nazis is not the film’s climax. In fact, it is
only the halfway point of this unusual film. For the war is not over for her,
as she continues to wait to learn of her husband’s fate. Even as the world
around her – now so foreign – celebrates. The film tells a story that is
powerful and personal.
DVD Special Features
On Image And Sound is an interview with some of the key crew
members who worked on the film, conducted in French. The crew members are all
in the same room together, rather than being interviewed separately. They talk
about shooting the film like a documentary, without start marks or rehearsals,
and with little direction. They also talk about certain scenes, such as that of
the soldiers returning. This featurette is approximately nineteen minutes.
From Melanie To Marguerite contains footage of Mélanie Thierry rehearsing
her part, delivering some of the voice over dialogue, receiving direction. This
is approximately eleven minutes. The special features also include costume and
camera tests, as well as three deleted scenes. In one of the deleted scenes,
Marguerite tries to cut in line to see her husband, and learns of the Normandy
landing. The film’s trailer is also included.
Memoir Of War was directed by Emmanuel Finkiel, and was released on
DVD on January 8, 2019 through Music Box Films. It is presented in its original
French, with optional English subtitles.
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