The film opens with a rendition of “Home On The Range”
sung by Neil Young (a song which was included in earlier home video releases).
And then we meet Hunter S. Thompson, who as usual is working against a looming
deadline. He is surrounded by elements of his work, including a bat hanging
overhead and a life-size Nixon doll with a Grateful Dead Skull and Roses
T-shirt. He is writing about Lazlo, and the film then takes us back to 1968 in
San Francisco, where Thompson has checked himself into a hospital to do some
writing and to enjoy a nurse’s company. His lawyer Lazlo comes to the rescue,
and soon both Thompson and we are treated to seeing this lawyer in action.
Peter Boyle, as always, delivers a good performance. (That scene also includes
Craig T. Nelson as a cop who thinks a pack of cigarettes might contain a bomb.)
The movie then moves to Los Angeles in 1972, as Thompson
is assigned to cover the Super Bowl. Yes, the movie is episodic, something
which bothered critics at the time of its release, but which never frustrated
me. Before the game, Lazlo shows up in a Nixon mask, saying, “I am the
president of the United States and I can do anything I want.” Hey, did
Donald Trump see this film and take that line to heart? He certainly seems to
have some affinity for Nixon. Well, Lazlo pulls Thompson off that assignment to
take him on a much weirder one. But my favorite part of this film is the 1972
campaign trail material. This section features a wonderful performance by Rene
Auberjonois as another journalist caught on a short leg of the campaign with
Thompson. “It’s my turn to fly,” indeed. Also, Mark Metcalf, whom you’ll
recall from his performance in Animal House (which he then recreated for
a famous Twisted Sister video), plays Dooley, Thompson’s adversary. The scene
where Hunter S. Thompson has an unlikely meeting with Nixon is great.
At the end of the film, Thompson says, “It still
hasn’t gotten weird enough for me” (a line that often pops in my head when
things get strange). And again, I wish Hunter S. Thompson were alive today. If
he were, might he say things have gotten weird enough? Or perhaps even too
weird?
Special Features
This Blu-ray edition includes Inventing The Buffalo: A
Look Back With John Kaye, an interview with screenwriter John Kaye. He
talks about how Universal originally wanted to do a film version of Fear And
Loathing In Las Vegas, but had problems getting the rights to the book. John
Kaye at that time read a piece Hunter S. Thompson wrote about Oscar Acosta, and
thought that would make a better film anyway. Kaye is candid when talking about
the time he spent with Thompson in preparation for the project, and about the
film’s reception across the country. He also tells a wild anecdote concerning
Hunter S. Thompson and Dennis Murphy. This featurette is approximately
forty-two minutes.
The Blu-ray also includes the film’s theatrical trailer.
Where The Buffalo Roam was directed by Art Linson,
and was released on Blu-ray through Shout! Factory on June 6, 2017.
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