The film opens with images of nature – a gathering storm,
powerful waves crashing on the shore – mixed with close-ups of human faces, and
the unspoken drama contained within those faces. It has an intense feel right
from the start. Nadine and Lewis arrive on the island and stay at a house that
her family owns there. We’re introduced to Doughboy, who owns the boat shuttling
people to the island, and Myron, a young and vulnerable man who feels out of
place, but who works for Doughboy. And we meet Roy, a friend of Nadine’s
family, and by far the most immediately likeable character in the film. You
sense straight away that he is the character we’ll rely on to get us through
the storm.
We learn that there is some trouble with Doughboy taking
business from others on the island, but that may be the least of his
transgressions. And before we learn precisely what he’s doing, there is a scene
with Doughboy and his young daughter, in which he tells her, “You know,
everything I do, I do for you.” It’s interesting to see him as a father,
though the scene comes out of nowhere and leads nowhere, and so feels added in.
Yet, it does make us wonder if he feels guilty about what he’s doing. There is
another moment later on, where Doughboy mentions to Myron that everyone looks
out for himself, which seems like he’s justifying actions that give him
feelings of guilt.
The mood of this film is unsettling and compelling. There
are lots of quiet, personal moments, showing a lack of communication among
characters. There are some great scenes where the images and music tell the
story and convey the mood, with no dialogue. (There are also some wonderful
underwater shots, including footage with a shark.) And it all leads to one
event that will change things for every character.
Live Cargo was directed by Logan Sandler, who also
co-wrote the script with Thymaya Payne. It premiered in New York on March 31,
2017, and in Los Angeles on April 7.
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