The show itself is an over-the-top soap opera with
murders, mystery, accusations, secrets, inheritances, a coma, and a flirtatious
and creepy nurse. It’s a great move to drop the viewer into the middle of the
series, because of course that’s how you’d feel if you started watching a soap
opera. And as I imagine is the case with real soap operas, it’s easy to get
sucked into the absurd story of Hell Town. Though for what was an
ongoing series, the show sure does dispatch with a lot of characters in a short
period of time. The story centers on a mysterious villain known as The Letter
Jacket Killer, who seems to be killing everyone that Trish has slept with.
Trish is kind of a demented, slutty Marcia Brady. Trish and her siblings are
all eager for their father’s inheritance (though their father is still quite
alive).
The cast does a great job, and it’s not the easiest of
feats; after all, in the case of the show, they’re playing strange characters,
but in the sense of the overall film, they’re playing actors who are playing
characters. And even though the show is an over-the-top soap opera, they can’t
oversell the jokes without running into the trouble of having it seem that the
characters are in on the humor, which would ruin it. Though of course the
actors the cast members are playing might be in on the joke. Anyway, they
really do a wonderful job with the material. Debbie Rochon appears between
episodes. And strangely, after the first episode, we see the trailer for Model
Hunger (which Rochon directed). (I wonder if those actors got paid again,
as bits of their performances are now in this movie as well.) After the second
episode, Rochon appears in a fake ad.
There are a lot of nice touches to this film. Each
episode opens with a narrator introducing a montage, “Previously on Hell
Town…” In one of the snippets, a character exclaims: “Mom’s in a coma!
Somebody splash water on her to wake her up!” Lines like that kept me
laughing aloud through the film. I also like that early on we see a “Dead End”
sign as a sort of warning, and then later a “No Outlet” sign. And I like that
the television credits are basically the film credits; that is, the directors
of Hell Town the movie are listed as the directors of the episodes of Hell
Town the series. Also, the score is perfectly fitting for this film (though
at time it does drift into Raiders Of The Lost Ark territory).
Of course, the idea that two complete seasons and much of
another season of a television show could be lost in a fire is absurd. After
all, this is obviously supposed to be a fairly recent show. But still, I would
love to see more of it. At the end of the film, Debbie Rochon teases us with
word of another series discovered while searching for the rest of the second
season of this one. So, who knows?
Hell Town was directed by Steve Balderson
and Elizabeth Spear, and was made available on video on demand and digital HD
on August 23, 2016.
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