The film provides a short biography of his early years,
done in the style of an old film strip. He worked driving a cable car in San
Francisco, and wrote The Big Heart based on some of his experiences. But
his goal at the time was to direct films. When his short films were being shown
in Paris, he moved there. And that’s where the documentary really starts to
pick up and focus. There is some interesting stuff about him writing for Hara
Kiri in France, and becoming a French writer. There is footage from a
French television program in 1964, where he is interviewed about his
autobiographical novel, A Bear For The F.B.I. Interestingly, he
wrote several novels in France with the aim of getting into film because of a
rule at the time giving French writers temporary director’s cards so they could
bring their own work to the screen. And that’s how Peebles came to make his
first film, La Permission.
One thing about Melvin Van Peebles is that he comes
across as extremely and immediately likeable. It’s a joy to watch and listen to
him talk about his films, his music and his experiences. And he has a whole lot
of great stories. I particularly like how he handled Watermelon Man. He
talks about agreeing to shoot that film with his desired ending and with the
studio’s desired ending, and then “forgetting” to shoot their ending. And of
course there is plenty of material on Sweet Sweetback’s Baadasssss Song,
and its impact – both positive and negative – on the film industry and on his
own career. Mario Van Peebles tells us: “My dad said to me later on he
learned from that process of doing Sweetback that it was very important
that the big boys win when you win. If they don’t win when you win, they have
no interest in you winning. In fact, they have an interest in you not winning.”
I also love what Melvin has to say about the MPAA (an organization that I
believe is no longer needed or wanted).
The film also treats us to some tracks from his records,
stuff I’d actually never heard before, as well as information about his
theatrical productions. But it’s his story about becoming a trader on the stock
exchange that I find particularly hilarious as well as inspiring. Also, his
solution to the homeless problem is funny. But I don’t know quite what to say
about seeing him sing “Achy Breaky Heart.” By the way, the documentary’s title
comes from the title of an article Melvin Van Peebles wrote, but which wasn’t
published.
Special Features
The DVD contains some good bonus features. Gotta Eat:
Breakfast With Melvin Van Peebles is a conversation with Melvin Van
Peebles, director Joe Angio and producer Michael Solomon, filmed on December 1,
2015. They talk about the documentary project, and also about the January 2015
terrorist attack in France that claimed the lives of some of Melvin’s fellow
writers at Hara Kiri.
The special features also include a few of Melvin Van
Peebles Channel 5 NYC TV commentaries (including the one where he talks about
hookers and the homeless), and a couple of live concert performances – “You’ve
Cut Up The Clothes In The Closet Of My Dreams” and “Lilly Done The Zampouchi
Every Time I Pulled Her Coattail.” The film’s trailer is also included.
How To Eat Your Watermelon In White Company (And Enjoy
It) was directed by Joe Angio, and was released on DVD on February 2, 2016
through Music Box Films.
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