Because it’s put out by TLA Releasing, you might expect a
lot of homoerotic content – and there are some shots of the players in the
shower, and a shot of a player in purple briefs wrestling with another player
in bed – but this documentary does not focus on sexual content at all. And it
is interesting how the filmmaker deliberately stays away from images of the
actual game (though there is a nice shot of children taunting players during a
game, shouting that they should be playing cards instead of soccer – the camera
stays close on them, not turning toward the game at all).
While showering, the players act macho, bragging about
goals and so on. But you can’t help but speculate how much of an effect the
presence of the camera has on the conversation. Do they really go on like that
while showering? Maybe they do. And there is footage of them talking about
being filmed, about how it’s real and not real, for it’s not the full reality.
But of course it isn’t. No one expects a documentary to be the full reality of
a subject. And for a while, the subject of this film isn’t football at all; the
subject of the film is the film itself. And in a way that’s interesting, that
these soccer players discuss the nature of film, and how it represents or
distorts reality. And this film in particular certainly shapes its reality, in
that it uses lots of extreme close-ups of actions, so that our focus is
concentrated, and we aren’t allowed to take in the surroundings and choose what
to focus on. Some of those close-up images are really interesting, and
well-framed.
But of course the players do talk about the game. One of
the players speaks directly to the camera about the sacrifices that
professional athletes make, the hard work that goes into their careers, which
he believes most people aren’t aware of. And he asks us directly to value what
they do, because it’s difficult. The players also talk about finding new teams
to play for, and about contracts and so on. And there is some interesting
footage of the players listening to a life insurance pitch.
But at times, the filmmaker seems to treat his subject
more seriously than it perhaps deserves. At one point, he says: “The hotel
where the players get together is also a prison. While the players have to stay
inside together, in the neighboring building, there are construction workers enjoying
the open air.” Enjoying the open air? I’m sure those construction workers
have a much different perspective on that. Plus, are the players really held in
the hotels against their wills? I don’t think so. But that would certainly be
interesting if it were the case.
Special Features
The DVD includes Tomás The Defender, a short film
without any dialogue. It is a series of images of the filmmaker’s brother, set
to music. Shots of him showering and shots of him in his underwear have me
wondering just how far Martín’s interest in his brother goes. The DVD also
includes the film’s trailer.
Fulboy was directed by Martín Farina, and was
released on DVD on September 22, 2015 through TLA Releasing. It is presented in
its original Spanish, with English subtitles.
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