Evan works as a writer for a small, gay-themed magazine,
but he has his sights on something larger, writing for the Toronto Gazette. He
is offered the opportunity to do a freelance feature story on the nightlife
that the average citizen might miss out on. “Find me a story,” editor
Joe Thorpe (Graham Gauthier) tells him. After meeting a club promoter named
Hunter (Ryan Fisher), Evan pitches the idea of an article on the organizing of
club parties and the scene surrounding that. So Evan follows Hunter around, and
we get a tour of clubs, which is terribly dull. In what should be an inside
look at clubs, we actually learn nothing new. There is a cute moment with a
transgendered woman and a drag queen. But when they learn Evan is writing an
article on the scene, the drag queen says, “I don’t think the world is ready
for us.” Are you kidding? Drag is completely mainstream these days. And the
club scene in this film is nothing unusual either, just people dancing to a
techno beat. So I can’t imagine the article will cause any kind of stir among
even the most uptight members of the general public. Also, I don’t quite
believe that the newspaper editor would call Evan to check up on how the
article is coming along. It’s a freelance job about a non-timely subject.
Anyway, the film is sort of a look at different
relationships through the eyes of a reporter, and thus someone who is trained
to be an observer rather than participant. Throughout the film, we see Evan
interviewing couples for his pieces for the gay-themed magazine. His co-worker
at the magazine, Aiden Starr (Jonathan Nathaniel), is also one of only two
friends. But Evan doesn’t seem all that close to him, or to Kate (Elena Seepe),
his other friend. There is a scene where, after getting drunk, Kate tries to
make out with him, then gets into his bed. “Come on, come on, seriously,”
she says, annoyed that he’s not responding, then falls asleep (or passes out).
It’s an interesting dynamic there, but Evan is thinking of that guy again,
remembering the two of them in that bedroom sharing a tender kiss, and not at
all concerned that his married friend just tried to take him to bed. I found
myself wanting more scenes like the later scene with Evan and Kate, in which
they do criticize each other. I wanted more about the relationships, and more
about the mysterious guy from the opening scene. It’s interesting that the guy
from the beginning is like a ghost in Evan’s life, and turns out to be likewise
for Hunter. But the guy himself, we learn nothing about. It’s like the effect
of him is more important than the reality of him.
The film gives us information in a
not-quite-chronological way, sometimes teasing us with our own expectations.
For example, there is a shot of clothes on Evan’s floor after a shot of him
meeting Hunter, but then we learn that Evan left the club alone and did not
take Hunter to bed. For a film that is only seventy-seven minutes, there are
several scenes that go on too long. An early scene where Evan takes off a worn
pair of sneakers and replaces them with a newly bought pair which is exactly
the same is a nice touch in showing his character, but it goes on a bit longer
than necessary. Once he begins to put the first new shoe on, we get it. And
later there is a scene at a club where an older man sits with Evan to chat him
up. Evan is clearly not interested, and when the man asks him for his name,
Evan hesitates before giving it to him. I like the little touches like that.
But this scene goes on a while, and is increasingly awkward. You feel for the
old guy at a certain point, but then begin to get creeped out and annoyed with
him. Evan, perhaps feeling bad for him, still gives the man his phone number
and so receives a number of calls from him later in the film. But that storyline
goes nowhere. And there is a scene of a drag queen preparing and then
performing (that is, lip-synching) at a club. This also goes on too long, and
is completely pointless anyway, as it doesn’t lead to anything or serve the
plot at all. It feels like the scene was simply a favor to the drag performer.
Still, the performances overall are decent, and this is Adrian
Shepherd-Gawinksi’s first film role.
Seek was written and directed by Eric Henry, and
was released on DVD on May 19, 2015 through TLA Releasing. The DVD includes the
film’s trailer.
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