This show is a lot of fun, though many of the plot lines
are on the goofy side. And there is some clunky dialogue. This line from the
first episode is probably the worst: “Something tells me that the
competition can be very competitive.” (Although this line from a song at
the beginning of the second episode rivals it: “There’s love in the air, and
that’s nice.”) But even when you’re shaking your head at the plot or at
some of the dialogue, there is a smile on your face. And a lot of that is due
to the chemistry of the two leads. One thing I really like about this series is
that it allows for tender and honest moments between Jonathan and Jennifer.
These moments are part of what makes them believable as a couple, and part of
what makes the series enjoyable.
And long before the current series Hart Of Dixie
existed, Hart To Hart used the same joke in the episode titled “Deep In
The Hart Of Dixieland.” Most of the episodes’ titles are plays on “heart,” such
as “Hartbreak Kid” and “My Hart Belongs To Daddy.” There is even one titled
“Hart Of Darkness,” in which a substitute pool man puts a chemical in the
Harts’ pool, temporarily blinding Jonathan. The man then torments Jonathan by
moving furniture around in his hospital room. This episode features an
incorrect Shakespeare reference (Shakespeare did not write “Hell hath no fury
as a woman scorned,” as Lt. Grey claims; that was William Congreve, and the
line is actually a bit different) and some excellent guest stars. That’s Ed
Harris as the man out to harm Jonathan. David Paymer plays an orderly. And John
Anderson plays a character named Jim Blye.
There are several other interesting guest appearances in
these episodes. “Rhinestone Harts” features appearances by Robert Englund (yes,
Freddy Krueger) as Buddy Kilgore, and Mickey Jones (who has played drums for
Bob Dylan) as an announcer at a country bar. Steve Allen makes an appearance as
himself in “Deep In The Hart Of Dixieland,” a very enjoyable episode with some
great music. And “My Hart Belongs To Daddy” guest stars Ray Milland as
Jennifer’s father. That’s a really good episode, involving the OSS and the son
of a Nazi war criminal. Plus, it has this line: “Some people can liven up a
room just by leaving it.”
“Hartland Express” is one of my favorite episodes, partly
because Florence Henderson guest stars, partly because there’s a shot of a Cubs
game, but mostly because Stefanie Powers looks tremendous in that lynx coat.
And mysteries are always better on a train. (Speaking of mysteries, the lynx
coat disappears after the first couple of scenes. Whenever Jennifer Hart opens
her closet on the train, it should be there, but it’s not.) Then in “What
Becomes A Murder Most,” Jennifer Hart is working on a campaign for a fake fur
company. She says it’s an important campaign, but she just wore a lynx in the
previous episode, so I’m not sure when it became important to her. The best
line of this episode is by Laura Bancroft: “Now you see how simple and sweet
everything is once I get my own way.” Carrie Nye is fantastic as Laura
Bancroft. But her death is so stupid, as it would be easy for her to get away
or at least call for help, but she just stands there waiting for the killer to
get to her. I love later when the killer mails some photos. He’s very careful
not to leave any fingerprints, but then he licks the envelope. Whoops!
Trouble follows the Harts everywhere, even underwater, as
“From The Depths Of My Hart” shows. They go scuba diving to test some underwater
camera equipment. This is a fun episode, with lots of underwater footage, a
reference to Jaws II, and even a chase on ATVs. Those still look like
fun (though they use the more-dangerous three-wheel types). This episode has
maybe the best dismissal ever from the villain to his cronies: “Now get out
of here. You’ve made me tired.”
“Harts And Palms” is another fun episode that begins with
a car chase and includes a restaurant run by monks who have taken a vow of
silence. Just try asking them about the day’s specials. This episode stars a
young Jonathan Frakes (a few years before he’d join the crew of the
Enterprise), and it takes at least one surprising turn. I love it when the
Harts go after a bad guy themselves rather than calling the police, because it
leads to a second car chase. Though they really shouldn’t park their rental in
front of a fire hydrant.
And I can’t help but love “The Harts Strike Out,” because
it opens with a shot of a Red Sox jersey, while a slow instrumental version of
“Take Me Out To The Ballgame” plays, and later has a shot of a Ted Williams
baseball card. And the owner of a sports memorabilia shop is wearing a Red Sox
cap. (Interestingly, it’s the second episode in a row to refer to the 1977
World Series.)
“Harts Under Glass” is a really good and delightfully odd
episode, guest starring John Dehner as the reclusive Dodsworth Nash, who wishes
to add Jennifer Hart to his collection. But it does have two major problems: 1.
Jonathan fails to tell Max how to open the glass case even after he saw another
guy do it; and 2. The unbreakable glass shatters when it falls a few inches to
the floor. The only episode that should be skipped entirely is “Murder Up Their
Sleeve.” Every moment of this one is incredibly, shockingly stupid. But the rest
are worth watching.
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