The first story, “Forever Mine,” opens with a gay couple
watching a porn. “I put in your favorite
movie for you,” one of them says, and it’s said without humor. “Let’s just get this over with,” the
second guy says, leaning in to kiss the first. The film then goes back to an
earlier moment in their relationship, with the two walking through a park, and
one of them peeing. Then they’re back in bed, and the peeing one says, “You’re all I have.” He repeats it, and
then the camera pans over to reveal that the other guy is now a skeleton. We go
back to the peeing shot because certainly that’s a shot worth showing twice.
And since they’re showing it a second time, let me mention this: The guy has
pulled his pants halfway down his thighs. Does any guy do that to pee? The
non-peeing guy then says, “Dude, I’m your
brother.” Dramatic music plays, and we’re back in their house and the
peeing guy pulls a gun out of a drawer and shoots the other one. And that’s
that. It’s kind of hilarious, in an unintended and sad way.
The dead one then addresses the camera directly: “I have a bone to pick with my little brother.”
This is the first line that seems intended to be funny, but of course is not.
He continues: “Hi, I’m Corey Tyndall. And
welcome to Eroddity(s).” In voice over, he continues: “You have entered a realm where teenage boys make new discoveries behind
locked bedroom doors. We take you behind these doors and offer you a
voyeuristic window into the world of the young and the inexperienced.” And
for those who are curious, yes, there is a lot of male nudity in the film. The
film is just this side of porn, but the performances and the music aren’t quite
up to that level.
When the next story, “A Mind Of Their Own,” begins, it
has its own opening credits sequence, which seems unnecessary. Aaron is an
annoying guy who narrates this story. “I
decided to do a little investigation,” he says as we see him doing a little
investigation on screen. Note to filmmakers: Don’t have a narrator tell us what
we’re already seeing. He finds a cassette tape and a note. So he goes to Orange
County and meets some other guy who can’t act. It’s painful listening to them
talk, partly because this is the worst dialogue in the history of film (and
yes, I’m including porn) and partly because these two have no acting talent
whatsoever. We then have a flashback to Aaron with a girl who has slightly less
talent than the others. Shocking. Anyway, there is some silliness about a magic
tape recorder that creates male lovers. The truly magical thing here is that
someone was able to find a tape recorder.
Clearly, writer/director Steven Vasquez loves to see his
own name on screen, because at the beginning of the next story, “Unsolved
Christmas,” he has once again given himself writing and directing credits.
Since he wrote and directed the entire film, it seems one credit at the
beginning would have sufficed. Anyway, this one too features narration, and the
narration is done as a Christmas poem. Zach’s parents overhear a phone
conversation, thus learning of his sexual orientation. They want to make him
straight, and so they buy him a camera. There are actually some really cute
moments when the narrator makes suggestions for use of the camera. And of
course he uses the camera to photograph a boy he has a crush on.
“The Way To A Man’s Heart” (and hey, look, more credits
for Steven Vasquez!) opens with a guy going to another guy’s grave, saying he’s
sorry and that he misses him. At a bar, he then meets Kevin, and the two talk
about how Thomas died a year ago. At home, the guy’s girlfriend shows up with a
bottle of wine to celebrate the anniversary. The guy asks, “Is it really something we should be
celebrating?” And the girl says, “Us
being together for a year and a half.” Okay, someone needs to tell this
girl the definition of anniversary.
Apparently they buried Thomas in a cardboard box in someone else’s grave, as we
learn through some dialogue in between sex scenes. Thomas returns from his
grave (well, someone else’s grave) to seek revenge, his plan including a lot of
cooking.
At the end of the film, the host threatens us, “Until next time.” No!
Eroddity(s) was
written and directed by Steven Vasquez (I figured he’d want me to mention that
one more time), and was released on DVD on July 15, 2014 through TLA Releasing.
The DVD includes the film’s trailer.
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