The film begins with footage from that interview, with
Paul Bowles talking about why he wrote. When asked if he thinks he said what he
set out to, Bowles answers, “No, but
slowly it came not to matter.” From that moment, I was completely hooked on
this film. You could take what he said in a positive or negative light, but the
fact that Bowles is in bed in the footage adds to the sort of heartache of what
he’s saying.
The filmmaker returns to that interview with Paul Bowles
throughout the film, and in some respects it acts as the documentary’s center.
At one point Bowles talks about how he thought he’d be a composer. And he did
write music, something I wasn’t aware of. Some pieces that he composed for
piano are played at various points in the film. For a little while he made a
living by composing incidental music for theatre. He also wrote music reviews
to earn money.
The film includes interviews with several writers
including Gore Vidal, John Hopkins, and Edmund White. There is some weird
camera work during the interviews, where the camera approaches a subject from
one odd angle or another, and these shots work in conjunction with the more
traditionally framed static shots during interviews.
Paul Bowles’ relationship with his wife, Jane, is
intriguing, and the documentary gives us several perspectives on it, including
those of Gore Vidal and Ruth Fainlight. I did not know that Jane Bowles was
also a writer, and I am now excited to read her novel Two Serious Ladies, which was written and published before Paul
Bowles wrote The Sheltering Sky. I
also found the stuff about Jane being poisoned fascinating, and wanted more
information and clarification on that.
Of course, the documentary focuses on The Sheltering Sky, and its popularity.
Bowles, in his interview, talks about the reviews and also the money he made
from that novel. “I went out and bought a
Jaguar convertible,” he says. The film adaptation is also discussed, and
the documentary includes an interview with director Bernardo Bertolucci. There
is also some information on William S. Burroughs, and a bit about how Paul and
Jane are portrayed in the film version of The
Naked Lunch.
The documentary gives a little background on Tangier,
where Bowles wrote The Sheltering Sky.
Another thing I didn’t know about Paul Bowles is that he recorded traditional
Moroccan music there, helping to preserve the culture. And the documentary
treats us to a couple snippets from those recordings.
Near the end, we return to the main interview with Paul
Bowles, and he talks about the importance of laughter. “If you take tragedy too seriously, it swamps you. But if you take it
with a shrug and a giggle, you’ll enjoy life more, I think.” Absolutely.
Paul Bowles: The
Cage Door Is Always Open was directed by Daniel Young, and was released on
DVD on June 17, 2014 through First Run Features. The DVD contains no special
features.
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