And then we’re inside a cluttered, somewhat dark room.
Alice is now tossing small rocks into a tea cup. Though first we only hear the
sound of the stones hitting the cup, as we’re treated to the details of the
room. The details include a doll with a book open on its lap next to a smaller
doll, making us question the reality of the opening shot. It’s wonderful that
this film has us questioning reality almost immediately; that’s perfect for
this story.
From there, things begin to get deliciously strange, when
a rabbit that is on display in a glass case removes the nails that keep it in
place. Alice then watches as the rabbit dons white gloves and a coat and hat,
and smashes through its glass cage with a pair of scissors. She follows the
rabbit, climbing into a desk drawer. That shot looks fantastic, by the way.
This film is so delightfully odd and deliciously dark
from the beginning. You immediately are immersed in this strange reality, and
so view it with the same wonder that Alice does (something Tim Burton
completely failed at in his disastrous and dull version of this story). Her
initial descent takes a frightfully long time that you get the feeling that
she’ll never return to any sort of normalcy, whatever that might mean to her.
When she shrinks, she becomes the shorter of the two
dolls that we saw in the room. Then at one point when she grows, she doesn’t
return immediately to herself but is trapped within the shell of the doll and
is forced to break out of her own shell. It’s a wonderful image.
Every image in this film is captivating. The bit where
the rat builds a fire pit on Alice’s head is bloody wonderful. Alice says, “That’s going too far.” And the mouth
adds, “Said Alice to herself.” There
are close-up shots of the mouth throughout the film, making it all seem like a
story that she’s telling herself. I love when she revives the socks. The
caterpillar is a sock with a set of false teeth, which looks wild and humorous.
And then Alice’s own socks try to escape.
There are many images of death and decay, such as the
animated skeletons of animals. Also, sawdust keeps falling out of the poor
rabbit, so he closes his body up with a safety pin. But Alice is never
terrified. When you’re young, there is no fear of death. Also, when she needs
to find a way out of a place, she does. Keys are found in the oddest places,
but they are found, which again gives us the feel that this is a story that she
herself is telling.
Bonus Feature
The disc contains Darkness
Light Darkness, an incredible short film directed by Jan Svankmajer.
Alice was
directed by Jan Svankmajer, who also directed Lunacy, another film I love. It was released on Blu-ray and DVD on
April 15, 2014 through First Run Features.
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