The film begins on August 31, 1997, the day that Diana
died. The camera work in the opening sequence in her hotel room is great,
particularly the moment when she turns as if forgetting something, and the camera
pulls back, retreating. Once she and her entourage get into the elevator, the
film takes us back to two years earlier. For those of us who know little about
Diana, a title card tells us, “Diana,
Princess of Wales, has been formally separated from her husband Prince Charles
for nearly three years.”
We immediately see the insanity of her very public life,
with people crowding around her, snapping photos, and then the contrasting
silence and stillness once she reaches the safety of her car. She then speaks
to herself in her mirror at home about her marriage, testing how the words
sound before giving an interview. She soon is seated for that interview, joking
that it’s too late to back out now. Interestingly, the film doesn’t show us any
of the actual interview at that moment. (Later we’ll see her deliver the very
lines that she rehearsed in the mirror.)
She meets Dr. Hasnat Khan (Naveen Andrews), who gives her
a tour of the hospital after she expresses an interest, even a fascination with
hospitals. She invites him over to dinner, and Sonia (played by the wonderful,
and here underused Juliet Stevenson) gets healthful food for Diana to serve
him. But though he is a heart surgeon, Hasnat prefers fast food hamburgers and
cigarettes. And so she has hamburgers delivered (we’ve seen scenes like this in
many other films). We then have a scene of them watching sports on television,
Hasnat acting like a typical man and Diana acting like a typical woman. I
suppose it’s meant to be interesting in the very fact that it’s not
interesting, that Diana can be just as ordinary as anyone else, but scenes like
this fall rather flat. After he mentions that he likes jazz, we get a scene of
Sonia dumping out a bag of jazz CDs on Diana’s floor and giving her a brief
lesson on the subject. Scenes like that give the movie the feel of a teen
romance.
Hasnat seems a bit arrogant, in the way he delivers
certain lines, such as “I follow no one”
and “I don’t have any bad habits”
(when she mentions his smoking). Because Hasnat is very private person he tells
her he can’t date her, that his job as a surgeon requires him to be focused. So
she shows up at his door in a brown wig, and he doesn’t recognize her, which is
ridiculous.
The most interesting scenes are the ones that deal more
with her in the political realm. When Patrick Jephson (Diana’s private
secretary) resigns after the interview airs, she tells him “You’ve been a rock.” Patrick asks, “What will you do?” She responds, “Get a new rock.” It’s simple, direct,
honest and believable. And we do get some scenes regarding her humanitarian
efforts, particularly dealing with the landmines (there is a great moment when
photographers realize the danger and become interested as Diana crosses a
recently cleaned mine field).
But mostly the film focuses on the relationship, which
one or the other of them ends like four times in the film, and always for the
same reason. The film never really builds to anything, and seems to have no
real goal or point. And for what is essentially attempting to be a tragic love
story, it never engaged me emotionally. The fault seems to be with the
screenplay, as the performances are good.
By the way, even though the movie begins and ends with
the day that Diana died, it avoids all specifics regarding Diana’s death. The
movie assumes you know that already.
Special Features
The DVD includes several interviews with cast and crew
members, totaling approximately forty-six minutes. Naomi Watts talks about what
drew her to the project and about the role. She also mentions that Downfall is a masterpiece. The DVD also
contains a little booklet with photos focusing on the fashion.
Diana was
directed by Oliver Hirschbiegel, who in addition to directing the incredible Downfall also directed The Invasion, an excellent recent
version of Invasion Of The Body Snatchers.
Diana was released on DVD and Blu-ray
on February 11, 2014.
No comments:
Post a Comment